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  • WHAT'S NEW?
    • Home
  • BIO
  • Composer
    • to cradle empty air
    • Werifesteria: The Forest
    • On the Road (Six Miniatures for Unaccompanied Voice)
    • Twilight Lifts the Veil (for unaccompanied voice)
    • Card Tower Kingdom (for High Voice and Piano)
    • City Songs (for Tenor and Pedal Harp)
    • Three Sean-Nos Folk Songs
    • Metaphysisch (for Baritone and Piano)
    • The Spaces We Breathe (Live at Rosehill Cemetery)
    • The Moon Was Always Queer (for Soprano Saxophone)
    • The Great God Pan: An Opera in Two Acts
    • Metaphysisch (for Mezzo and Piano)
    • Nightingale Songs - An Unaccompanied Cycle of Miniatures for High/Medium High Voice
    • Lost Daughters (An Opera in One Act) - Scene 4 Excerpt
    • Chicago and December
    • The Passive-Aggressive's Guide to Mother Goose
    • Summerland: A Ghost Story (Original Soundtrack)
    • The Poet's Ghost (A Chamber Opera in One Act)
    • Film and Classical Compositions
  • Contact
  • Calendar
  • Blog
  • Video
  • Sheet Music
  • Original Paintings
  • Facets of Sound Podcast

Rosśa Crean

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New Blog Post: How Writing Two Operas in a Year Helped Me to Understand Grief

New blog post is up, discussing my year-long process with grief, and how the creative process through two operas helped me come to understand and surrender to its importance. I hope my perspective can be helpful! Enjoy!

03/17/2016

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    New Blog Post: How Writing Two Operas in a Year Helped Me to Understand Grief

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